An award winning silversmith
The subject of today's blog struck gold (or silver as the case may be) by not by getting his hands dirty digging for the elusive objects but by making elaborate pieces of art from the precious metals. Once again, surprisingly, today's subject lies in an unmarked grave in the Cemetery.
JULIUS HOGARTH (HOUGAARD)
Julius Hogarth was born on 24 December 1820 in Copenhagen, Denmark, the son of Jorgen Hougaard and his wife Charlotte. Julius showed artistic qualities at an early age and trained under the Danish neo-classical sculptor Bertel Thorvaldsen. By 1840, Hougaard was listed as a Goldsmith and was residing in the household of Jorgen Dalhoff, Danish Royal Goldsmith and his family. He married Christiane Galle on 18 November 1842 at Trinitatis Church, Copenhagen; they had one son but later divorced. Census records show in 1850 Julius was recorded as an engraver and teacher at the Technical and Metalwork Institute in Copenhagen.
Hougaard arrived in Sydney on the César Godeffroy in December 1852; Conrad Erichsen, a Norwegian engraver, was another passenger. Both tried and failed to make their fortunes on the goldfields and fell back on their strengths becoming silversmiths and jewellers in Sydney. By March 1854 Julius had Anglicised his name and Hogarth, Erichsen & Co., Jewellers and Watchmakers, was in business in George Street. Talented artists, both created small sculptures in gold and silver of miners and Indigenous people. Together they created "Australiana" in precious metals.
One piece, the "Ricketty Dick" statuette, was displayed in the 1855 Paris
Universal Exhibition, alongside another statuette of similar design in gold,
and two gold statuettes of gold diggers . Hogarth was awarded a bronze medal
for his entry. It was inspired by Warrah Warrah, an Indigenous man who was also
known as Ricketty Dick. His popular name related to arthritis, or some other
disease of the lower limbs, which finally crippled him. Warrah Warrah set up a
permanent camp on a dry patch of land at the Rose Bay swamps and was the
subject of many paintings.
Statue of "Ricketty Dick" 1855 - collection of MAAS
Hogarth, Erichsen & Co. also specialised in large silver embossed presentation cups and as early as about 1857 Hogarth and his partner produced a range of silver mounted emu eggs.
Although not attributed to Julius Hogarth - this is of the type he and Erichson produced - collection of National Gallery of Victoria
Besides presentation pieces, heavy, well-crafted 'botanical' jewellery were Hogarth's specialty. Unfortunately the heavy raw materials required for production of these pieces brought about insolvency of the business in 1861 and the partnership was dissolved.
Nevertheless, Hogarth exhibited 'strikingly Australian' gold statuettes
at the 1862 London International Exhibition. At the end of that year Hogarth reported a robbery at his business premises but managed to retrieve most of the goods within twelve months. He was bankrupted again in May 1864, but still managed to make the colony's gift
for the Prince of Wales's marriage to Princess Alexandra of Denmark—a massive,
gold casket, with Australian motifs.
Hogarth then moved to Melbourne, where in 1867 he was bankrupted a third
time. He produced work for other silversmiths,
jewellers and medallists and engraved medals for
agricultural associations.
Coin from the collection from the museums of victoria
The nature of the precious metals he worked with required a substantial initial monetary commitment and on many occasions time to retrieve that investment ran out, unfortunately in his Hogarth's case, on a number of occasions.
Returning to Sydney with some of his family about
1878, Hogarth set up shop at Newtown, but died of chronic liver disease on 5
March 1879 at his Chippendale residence. His wife and children and the son of his first marriage survived him.
Although
much was melted down for the bullion content, some of Hogarth's work
survives. Pieces attributed to him are
in the Powerhouse Museum, Sydney, the National Gallery of Victoria, Melbourne,
the Queensland Art Gallery, Brisbane, and the National Library of Australia,
Canberra.
Hogarth's major pieces are now worth a fortune and it seems a shame that such a man, whose name inspires awe in the minds of lovers of antique silverware, lies alone in an unmarked grave in the Old Anglican area of the Cemetery.
https://adb.anu.edu.au/biography/hogarth-julius-12987
A simple google search will locate many more references to Hogarth and his works of art.
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